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| − | + | What company are you calling from? http://www.gsi-net.com/order-metoclopramide.html purchase metoclopramide It's almost misleading to describe Satoshi Kon as an animation director. Although that's the medium he worked in, his films have little in common with such luminaries as Studio Ghibli's Hayao Miyazaki and Pixar's John Lasseter. Watching 1997's Perfect Blue, it's not the quality of the animation that grabs you, it's the storytelling. Kon's kindred spirits are directors like David Lynch, Dario Argento, Alfred Hitchcock and Darren Aronofsky; the last name in particular, as Aronofsky tried unsuccessfully to get a live-action remake of Perfect Blue made, having to make do with delivering "homages" such as the odd shot in Requiem For A Dream and huge chunks of the very similar Black Swan. | |
Revision as of 15:59, 20 November 2014
What company are you calling from? http://www.gsi-net.com/order-metoclopramide.html purchase metoclopramide It's almost misleading to describe Satoshi Kon as an animation director. Although that's the medium he worked in, his films have little in common with such luminaries as Studio Ghibli's Hayao Miyazaki and Pixar's John Lasseter. Watching 1997's Perfect Blue, it's not the quality of the animation that grabs you, it's the storytelling. Kon's kindred spirits are directors like David Lynch, Dario Argento, Alfred Hitchcock and Darren Aronofsky; the last name in particular, as Aronofsky tried unsuccessfully to get a live-action remake of Perfect Blue made, having to make do with delivering "homages" such as the odd shot in Requiem For A Dream and huge chunks of the very similar Black Swan.
