Difference between revisions of "QMS"

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Would you like to leave a message? <a href=" http://www.intwinedbows.com/devil-and-diamonds-slot-machine.pdf#composition ">maquina slot machine</a>  Which brings us back to Jonathan Franzen. His essay isn’t a milquetoast plea for civility—Karl Kraus, the Austrian writer on which he hangs it, was, in Franzen’s description, a shrill and withering critic, perhaps the original hate reader. Rather, Franzen seems to be mourning a certain kind of depth and seriousness. The essay itself seems an artifact of a dying tradition, and not just in its grandiosity. He seems to take his readers’ good faith for granted, doing nothing to inoculate himself against the jeers that anyone who spends time online would know to be inevitable. He makes himself a fat, juicy target.
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Would you like to leave a message? <a href=" http://www.intwinedbows.com/devil-and-diamonds-slot-machine.pdf#composition ">maquina slot machine</a>  Which brings us back to Jonathan Franzen. His essay isn’t a milquetoast plea for civility—Karl Kraus, the Austrian writer on which he hangs it, was, in Franzen’s description, a shrill and withering critic, perhaps the original hate reader. Rather, Franzen seems to be mourning a certain kind of depth and seriousness. The essay itself seems an artifact of a dying tradition, and not just in its grandiosity. He seems to take his readers’ good faith for granted, doing nothing to inoculate himself against the jeers that anyone who spends time online would know to be inevitable. He makes himself a fat, juicy target.

Revision as of 16:36, 3 June 2015

Would you like to leave a message? <a href=" http://www.intwinedbows.com/devil-and-diamonds-slot-machine.pdf#composition ">maquina slot machine</a> Which brings us back to Jonathan Franzen. His essay isn’t a milquetoast plea for civility—Karl Kraus, the Austrian writer on which he hangs it, was, in Franzen’s description, a shrill and withering critic, perhaps the original hate reader. Rather, Franzen seems to be mourning a certain kind of depth and seriousness. The essay itself seems an artifact of a dying tradition, and not just in its grandiosity. He seems to take his readers’ good faith for granted, doing nothing to inoculate himself against the jeers that anyone who spends time online would know to be inevitable. He makes himself a fat, juicy target.

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