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| − | <a href=" http://www.fairylandtrust.org/order-permethrin-cream-online-gta.pdf#statistics ">scabies permethrin still itching lotion</a> ItâÂÂs the film as a whole that doesnâÂÂt work. ItâÂÂs one of the most tonally uneven things youâÂÂll see all year. Truthful, poignant moments are followed by true oddities like slow-motion montages set to an overdone guitar solo or, for reasons I wonâÂÂt explain here, seeing Billy BobâÂÂs âÂÂO face.â The drug/Vietnam material feels remarkably clichéd and familiar. Duvall can do this âÂÂGreat Santiniâ routine in his sleep. The broad strokes with which Brits and the âÂÂ60s South are portrayed feel too surface level. And the movie veers tragically in terms of tone. Thornton would have been wise to jettison half of his characters and focus more on what remained. I could watch John Hurt and Robert Duvall drive around the âÂÂ60s South just talking to each other for an hour. And it feels like thatâÂÂs what engages Thornton the most as well but he felt forced to give multiple characters multiple arcs and made multiple movies in the process. I just wanted one solid work in the last decade. We didnâÂÂt need a movie that tries to be five and ends up being none.
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Latest revision as of 18:53, 19 November 2015
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